I'd like to take a break from writerly musings to share some of the most frequent conversations I have as a player of the traditional lever harp. These come up again and again at gigs, and I've developed rehearsed responses to them:
Them: So you're a harpist, right?
Me: Actually, I'm a harper. Harpist refers to the pedal harp - the big golden thing with the pillar. Harp-player works, too.
(This distinction is important to me. I'd prefer not to be called a harpist.)
Them: Is this is a Celtic harp? (Sometimes they pronounce the C like an S.)
Me: Yes; to be more accurate, it's a traditional lever harp because it has these levers (Vanna White gesture here) instead of the pedals on an orchestral harp.
Them: Are you Irish?
Me: Nope. I'm Scottish and Welsh, though.
Them: Is this a small harp?
Me (what I'd like to say): You try carrying it.
Me (what I actually say): This is a traditional harp. It's the predecessor of the big harp you see in orchestras.
Them: How long have you been playing?
Oh, how much easier it became when I could just say "over a decade" and stop counting every time.
I work through a fair number of misconceptions. It seems to confuse people that I don't also play with an orchestra; similarly, they seem a bit taken aback when I tell them I studied privately (instead at a university, presumably). Then there's this conversation:
Them: Can I help you carry something?
Me: Could you carry my chair?
They look at me, probably a bit like I'm crazy. They look at the massive instrument.
Me: I'm balanced, but I have to carry the chair in a way that makes it hard to walk. It would really help.
I have gotten "such a little thing with such a big instrument!" more than once, which always makes me laugh: I'm about 5'7" with strong shoulders. Besides the Scots, I've got German and Italian in me. I'm not heavy - thank you, 20+ hours of running around a kitchen this past quarter - but I am not a delicate flower.
I think possibly my favorite question, though, came from a guitarist. First of all, some background: my harp has 36 strings, one for every note. Each individual string has to be tuned. When a string breaks, the replacement has to "settle" before it will hold. This usually involves, as a ballpark, 50 - 60 retunings. So the following ensued:
Him: How often do you change the strings? Every few weeks?
Me (horrified look): Only when I have to.
Harps are notoriously finicky for responding to every shift in temperature and pressure. In fact, that leads to one of my favorite harp jokes, which I got from the Welsh triple harpist (he is a harpist - the Welsh harp is much closer to the classic instrument) Robin Huw Bowen:
Q: How long does it take to tune a harp?
A: No one knows.
Quotes, musings, tidbits and news from speculative fiction author Lindsey Duncan - click over to This Site for her website.
About Me
- Lindsey Duncan
- I'm a professional harp performer, chef / pastry chef, and speculative fiction writer from Cincinnati, Ohio. My contemporary fantasy novel Flow is available from Double Dragon Publishing, and my science fiction novel Scylla and Charybdis is now out from Grimbold Books. I've also sold a number of short stories and a few pieces of speculative poetry. I write predominantly fantasy, usually epic and/or humorous, with some soft science fiction. I play the traditional lever harp with a specialty in Celtic music - but I also perform modern and Renaissance tunes. And yes, you read that right - I have a diploma in Baking and Pastry and an Associates in Culinary Arts and am currently working in the catering field at Kate's Catering and Personal Chef Services (Dayton, KY). I am a CPC (Certified Pastry Culinarian) and CSW (Certified Specialist of Wine).
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