Picking up the train of thought from last week, I learned a lot from writing short stories. With fewer words comes the need for sharper focus: I had to develop the skill of building a story around a single moment, a single decision, and making that complete. It's probably this process that built my liking for the "yes, but ..." ending - the conclusion that fulfills the story goal, but sets up ongoing complications.
Short stories also helped with my sense of plot. Working on the micro level (comparatively), I had to figure out the direction of the tale before I began, or I risked wandering ... and wandering into novelette or novella territory. I know there are other writers who can start a short story without an ending or outline, but I was never one of those writers, and in a few cases, I found out the hard way. Those rambly tales are best forgotten.
I also learned quite a bit about incorporating worldbuilding into fiction ... and some about faking it. Many of my short stories have allusions to cultural, physical, historical elements of the world - brief glimpses that show the workings beneath the surface. Except, in almost every case, it's an illusion: the glimpse is the only truth, and the reader knows as much as I do. Well ... almost.
But it's not all faking it. Again, space is at a premium in a short story, with less room - and reader patience - for extended descriptions. Sentences setting the scene often do double, even triple duty, contributing to the plot or understanding of character. An example I often like to give is instead of just stating that a character is tall, something like, "She was obnoxiously tall, looming a head and more over the locals," also gives some information about aforesaid locals ... and a hint of snarkiness in the narrator, perhaps.
All of these skills, this learned economy, translated back into my novels - or at least, I hope it has. Even if that's not the case, I enjoyed the ability to dip my toe into far more worlds than I might have, had each demanded a novel of its own.
Quotes, musings, tidbits and news from speculative fiction author Lindsey Duncan - click over to This Site for her website.
About Me
- Lindsey Duncan
- I'm a professional harp performer, chef / pastry chef, and speculative fiction writer from Cincinnati, Ohio. My contemporary fantasy novel Flow is available from Double Dragon Publishing, and my science fiction novel Scylla and Charybdis is now out from Grimbold Books. I've also sold a number of short stories and a few pieces of speculative poetry. I write predominantly fantasy, usually epic and/or humorous, with some soft science fiction. I play the traditional lever harp with a specialty in Celtic music - but I also perform modern and Renaissance tunes. And yes, you read that right - I have a diploma in Baking and Pastry and an Associates in Culinary Arts and am currently working in the catering field at Kate's Catering and Personal Chef Services (Dayton, KY). I am a CPC (Certified Pastry Culinarian) and CSW (Certified Specialist of Wine).
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