With success in hand, I feel comfortable divulging the project I've been cramming the past several days: a submission to Harper Voyager's open call for their digital imprint.
I had initially intended to give this a pass, for a couple of reasons. First of all, I didn't have anything finished and edited within the desired word count, and second of all, being a die-hard lover of paper books, I was reluctant to put a project into a digital-only line.
Then the bug and inspiration bit at the same time: I had Butterfly's Poison, which was the novel I finished before I wrote Flow. It had seemed to make a strong showing: Edge Science Fiction and Fantasy in Canada had requested the full manuscript. After so much time, I was dubious about the quality, but I figured I would attempt an editing pass and see what shape it was in.
I was pleasantly surprised to find that the core of the novel was solid and far better than I had expected. Most of what I needed to alter was straightforward: clumsy wording, clarified setting points, enhanced emotional response. As I approached the end, I learned of more complications: HV's idea of a "short synopsis" was a ridiculously brief 1500 characters - estimated 250 words. Let's face it, it takes me 250 words to say hello. What I ended up doing was taking my original query teaser and expanding it to include the ending ...
But not before I got an unpleasant jolt. I had decided to keep working until late this evening, spending as much time as possible cleaning up the novel ... and then about two o'clock this afternoon, I found out submissions had been closed a day early. I stopped dead in my tracks. It knocked the wind out of my sails. I had put in an incredible amount of hyper-focused work to no purpose.
A few hours later, when I was sulking, feeling sorry for myself (no, really) and trying to get through an hour writing exercise, a fellow writer on the same forum commented that the closure had been a technical error, and submissions had been reopened. I stopped the free write where it was (33 minutes in) and dove back in.
So as of about an hour later: success. The submission is on its way, and I feel weightless.
I decided a few things from all this:
1) The "cramming" edit turned out to be really useful. The earlier parts of the manuscript were still fresh in my mind even when I got closer to the end. This is something I think I should incorporate into my process.
2) Butterfly's Poison is a surprisingly solid manuscript. Assuming it is rejected by HV (I am aware of how long the shot is!), I will keep it in my files as something to show my agent when I have one.
3) Never give up. Never surrender.
Quotes, musings, tidbits and news from speculative fiction author Lindsey Duncan - click over to This Site for her website.
About Me
- Lindsey Duncan
- I'm a professional harp performer, chef / pastry chef, and speculative fiction writer from Cincinnati, Ohio. My contemporary fantasy novel Flow is available from Double Dragon Publishing, and my science fiction novel Scylla and Charybdis is now out from Grimbold Books. I've also sold a number of short stories and a few pieces of speculative poetry. I write predominantly fantasy, usually epic and/or humorous, with some soft science fiction. I play the traditional lever harp with a specialty in Celtic music - but I also perform modern and Renaissance tunes. And yes, you read that right - I have a diploma in Baking and Pastry and an Associates in Culinary Arts and am currently working in the catering field at Kate's Catering and Personal Chef Services (Dayton, KY). I am a CPC (Certified Pastry Culinarian) and CSW (Certified Specialist of Wine).
2 comments:
Lee, I think the word you are looking for is "relentless." ;-) Mom
I learned from the best!
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