More panels:
Everybody Has Their Faults, Mine Is Being Wicked (Molly Tanzer, Mark Teppo, David Boop): This was meant to be a discussion of the comic villain, but ranged more broadly into the appeal of villains and the kinds of thought and motivation that work. If anything, the panel pointed out that humorous villainy could be more creepy - the juxtaposition, the uncertainty about whether or not we should laugh along and what that says about us. In some ways, the villain can be more appealing than the hero because the villain is usually proactive, whereas the traditional hero's journey implies / requires a reluctance. Arguably, psychopathic villains have lost their mystique due to the proliferation of CSI, Criminal Minds, etc.
Esther Friesner Reading: I missed the title and a very small part of this story - I misjudged the time and didn't go in right away because I didn't want to interrupt the previous reader. That didn't affect my enjoyment of the story at all, the tale of a six year old werewolf with decided Opinions about her situation. Friesner used an amazing reading voice perfectly suited to this excerpt, light and child-like without being babyish. Story was hilarious, too. Apparently in an anthology called Full Moon City ...
Transforming Fantasy into a Screenplay (Ryan McFadden, David Coe, Barbara Gallen-Smith): This panel talked about the challenges of adaptation in general: the fact that screenplays don't get into the characters' internal thoughts, the fact that the structure of a successful movie is very different from a successful novel and the disparity between the average screenplay length - about ninety generously spaced pages - versus the average novel. Also touched upon were issues specific to fantasy, such as the challenges of creating a believable world instantly. They ended encouraging screenwriters to mine short fantasy as an untapped source of ideas.
Sidebar: I either lost my Scylla and Charybdis outline or left it at home. I won't know until Sunday, when I get home. Sheesh.
Quotes, musings, tidbits and news from speculative fiction author Lindsey Duncan - click over to This Site for her website.
About Me
- Lindsey Duncan
- I'm a professional harp performer, chef / pastry chef, and speculative fiction writer from Cincinnati, Ohio. My contemporary fantasy novel Flow is available from Double Dragon Publishing, and my science fiction novel Scylla and Charybdis is now out from Grimbold Books. I've also sold a number of short stories and a few pieces of speculative poetry. I write predominantly fantasy, usually epic and/or humorous, with some soft science fiction. I play the traditional lever harp with a specialty in Celtic music - but I also perform modern and Renaissance tunes. And yes, you read that right - I have a diploma in Baking and Pastry and an Associates in Culinary Arts and am currently working in the catering field at Kate's Catering and Personal Chef Services (Dayton, KY). I am a CPC (Certified Pastry Culinarian) and CSW (Certified Specialist of Wine).
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