Since returning from Grandfather Mountain, I've written with new vigor, despite possibly / probably having picked up a case of strep throat down there. To some extent, my own darn fault for not packing more warmly, but you expect the temperature to stay somewhat up there in summer in the south - even in the mountains.
I received a challenge on f-w.org to write a story about a light that doesn't give off light and someone who can see in complete darkness. For this I decided to take a loose interpretation of "see" and borrow an old concept of a character who (despite being perfectly able to see) never used his sense of sight, rather relying on scent - sound - touch. And interdimensional lampposts serving as beacons to travelers. It really is just a bit too much for flash fiction, and I'm fairly sure I'll write a normal-length sequel once I finish my monthly challenge (different story).
Yep, F-W does provoke a lot of writing out of me.
With regards to Journal of the Dead, I've reached the second half of Ihseye's backstory. I really wonder if the spirit comes off as dislikeable and unreasonable - and realize that's all right. There are plenty of flaws to go around in this novel.
The current scene I'm in is the scene where the headman where Rhiane is now staying delineates the heart numbers of her spirits. I don't think numerology permeates the storyline in the way I would have liked it to, but this is a fantastic scene, exploring the diaphanous nature of numerology. Note to self: add some further numerical commentary later. (Ironic that I didn't get this into the editing notes.) Rhiane doesn't really believe in it, but it works nicely for flavor.
Scylla and Charybdis, the stage is still set in New Athens. I am trying my best to make this section roughly equivalent in length to the section in Eastwood. There's a sense of mirroring in that there are more or less three incidents here (as there), but it plays out with a different flow and build, so it should be reminiscent but not (hopefully) an obvious example of, "Oh, the author is trying to compare / contrast."
Quotes, musings, tidbits and news from speculative fiction author Lindsey Duncan - click over to This Site for her website.
About Me
- Lindsey Duncan
- I'm a professional harp performer, chef / pastry chef, and speculative fiction writer from Cincinnati, Ohio. My contemporary fantasy novel Flow is available from Double Dragon Publishing, and my science fiction novel Scylla and Charybdis is now out from Grimbold Books. I've also sold a number of short stories and a few pieces of speculative poetry. I write predominantly fantasy, usually epic and/or humorous, with some soft science fiction. I play the traditional lever harp with a specialty in Celtic music - but I also perform modern and Renaissance tunes. And yes, you read that right - I have a diploma in Baking and Pastry and an Associates in Culinary Arts and am currently working in the catering field at Kate's Catering and Personal Chef Services (Dayton, KY). I am a CPC (Certified Pastry Culinarian) and CSW (Certified Specialist of Wine).
1 comment:
Glad you're writing again - I made the mistake of not writing when I went up to my sisters and didn't write for two weeks! Told her she won't see me again until it's done!
Good luck with your weekly goals!
bettielee
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