It's been a while since I've posted any excerpts, so I thought it was about time. This is sometimes tricky, because the further I get into writing a novel, the harder it is to find a segment that makes sense without a lot of context and/or doesn't give away significant events in the plot.
This bit from Surgeburnt, though, is one of the past-storylines / flashbacks. The reader has encountered references to Iskedelis, the non-human inventor who worked with Maren (the narrator) and her crew, but this the first time she's appeared directly in a scene:
Iskedelis'
lab spanned most of a single abandoned floor, a labyrinth of improbables with a
ridiculous number of reflective surfaces. She had always loved shiny
things.
"Desi!"
she called. “Come over and have a
seat. Would you like some tea?”
I surveyed
the collection of slanted, paneled, and protusion-laden surfaces looming around
her. “Where should I …”
“Oh,
foolish of me,” she chirped, spinning about with surprising dexterity despite
the length of her frame. Vrin bodies
were divided into three segments, and they were most comfortable with the first
two segments parallel to the ground. She
picked up a device that looked suspiciously like a toaster to reveal a bench
beneath. “Right here."
Iskedelis
was small for her kind: in first-joint
stance, she stood only four feet tall.
Her carapace was a soft, gently burnished silver in hue, dusted with
soot-grey spots. The eyes that sought
mine were the faceted compound eyes of an insect, with a saffron undertone I
had only noticed at the tenth look. A
lot of Vrin wore sunglasses even indoors, not just to give humans normal to
focus on, but because their eyes were unusually sensitive to light. Iskedelis’ lab was dim, and she had long ago
learned she didn’t have to hide around us.
“What kind
of tea?” I asked, sitting.
“It’s
Liber,” she said, then paused expectantly.
“Never
heard of it,” I said. “But whatever.”
She
drooped, her segments slumping together.
“You don’t get it? Liber …
tea. I laughed when Archer told me.”
“Remind me
to smack Archer upside the head for feeding you bad comedy,” I said. “Whatever kind of tea it is, I’ll have it.”
Iskedelis
recovered, scurrying over to her teapot.
Her seven-fingered hands were vastly overqualified for the task, though
the lack of a shorter digit sometimes made handling human objects tricky. She could bend any of those fingers multiple
times, but it wasn’t quite a substitute for a thumb.
Infinitely
polite even with such news waiting, Iskedelis hustled back with two cups,
handing mine over along with the sugar bowl.
She perched back on her haunches, watching me as I took my first sip.
Only once
I had set down the cup did she speak.
“Well? What did you find out?"
Quotes, musings, tidbits and news from speculative fiction author Lindsey Duncan - click over to This Site for her website.
About Me
- Lindsey Duncan
- I'm a professional harp performer, chef / pastry chef, and speculative fiction writer from Cincinnati, Ohio. My contemporary fantasy novel Flow is available from Double Dragon Publishing, and my science fiction novel Scylla and Charybdis is now out from Grimbold Books. I've also sold a number of short stories and a few pieces of speculative poetry. I write predominantly fantasy, usually epic and/or humorous, with some soft science fiction. I play the traditional lever harp with a specialty in Celtic music - but I also perform modern and Renaissance tunes. And yes, you read that right - I have a diploma in Baking and Pastry and an Associates in Culinary Arts and am currently working in the catering field at Kate's Catering and Personal Chef Services (Dayton, KY). I am a CPC (Certified Pastry Culinarian) and CSW (Certified Specialist of Wine).
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